What Do We Have Here?
A Group Exhibition by Well Well Members
January 9–31, 2021
Opening Reception
Saturday, January 9, 2021
6:00–9:00pm
(socially distanced, masks required)
Gallery Hours
Saturdays 12-5pm
Sundays 12-5pm by appointment

Kelda Van Patten, More elegantly muscular than delicate (after Zio Baritaux), archival pigment print (edition of 3), 49x44 inches, 2020
Well Well Projects opens its doors January 2021 with its first exhibition, What Do We Have Here? Featuring work from its 10 members, Well Well’s inaugural exhibition gives a hint of what's to come during its upcoming year of programming.

What Do We Have Here?, 2021, exhibition installation view

What Do We Have Here?, 2021, exhibition installation view

Pause, Mixed Media, 2018, Sung Eun Park

More Elegantly Muscular than Delicate, Archival pigment print, 2020, Kelda Van Patten

Nokia Blooms, stoneware, plastic, foam, wood paper, 2020, Jessie Weitzel Le Grand

Nokia Blooms, stoneware, plastic, foam, wood paper, 2020, Jessie Weitzel Le Grand

Trouble, screen print, collage, colored pencil, 2020, Jeremy Le Grand

What Do We Have Here?, 2021, exhibition installation view

Spirit Lake Cloud, Graphite on black paper, 2021, John Whitten

Full Moon Heart, Mixed media and collage on hand cut paper, 2020, Morgan Rosskopf

Untitled (how long have I been feeling like this) II, Letterpress on Iokta, 2020, Alyson Provax

What Do We Have Here?, 2021, exhibition installation view

What Do We Have Here?, 2021, exhibition installation view

Plot, Polymerized gypsum, fiberglass, and acrylic, 2018, Erik Geschke

Plot, Polymerized gypsum, fiberglass, and acrylic, 2018, Erik Geschke

What Do We Have Here?, 2021, exhibition installation view

IT TAKES ME 20 HOURS AND REAL DOLLAR BILLS TO MAKE THIS TEXTILES. HOW MUCH IS THIS WOVEN FABRIC? Hand woven with mixed materials, 2019, Hyun Jung Jung

IT TAKES ME 20 HOURS AND REAL DOLLAR BILLS TO MAKE THIS TEXTILES. HOW MUCH IS THIS WOVEN FABRIC? Hand woven with mixed materials, 2019, Hyun Jung Jung

Pumice Float, Acrylic on Stonehenge, 2020, Katherine Spinella